The more everyone understands what is expected in the studio, the better the recording will turn out. Here is a collection of tips that I have found useful in recording both music and the spoken word. If you have recorded in a studio setting before, you may know some of this but if this will be your first time in a studio, then take a minute to read through these notes to get a better understanding of how to approach your session. The most successful sessions are ones where you are comfortable, relaxed and ready to record the best performance you can.
- Before your session, try and get a good idea of what you want. There are many things to factor in what level of detail you want to go into in producing your recording. Knowing what you want will save you time and money when recording.
- Develop a budget that is in line with what you want. Discuss the budget with the engineer so that they know what we’re all working with. They will try and get you the best value for your money!
- Rehearse the material/script/songs that you'll be recording for at least 2 days before the session. Studio time is very expensive and using it to rehearse is a waste of your money and the engineers time!
- If you’re recording music, for clean starts, use an 8 beat count-off instead of a 4 beat count-off, with the last two beats silent. (Example: 1 2 3 4, 1 2 - - ).
- Practice the songs straight through, including intros, endings, and dynamics.
- Ensure all your outboard gear, effects pedals and any other bits of kit you bring with you is fully functional and you know how to use it! Bringing a brand new bit of kit to the studio will just waste your money and the engineers time.
- If there are any solo’s in the material, work them all out before you get to the studio (remember, don’t use studio time for rehearsals, very expensive!!)
- If needed, put on new strings and drum heads at least 2 days before the session to bed them in.
- Bring extra batteries, strings, picks, capos and cables, just in case. While we do carry spares of almost everything, we will charge you for what you use!
- Bring friends if you feel more comfortable playing to an audience but beware that too many people end up as a distraction.
- Drugs or alcohol is NOT permitted in the studio or on the property. There’s a great pub close by for all your liquid refreshment needs!
- If possible bring a lyric sheet or script with breaks and changes shown on it. It will help us when recording to know where you are.
- Start the songs cleanly and wait until the tape is rolling or the engineer says “READY!” before starting. Don't talk, play, or move for a count of eight after you finish a take. Wait for the last notes to die away naturally and completely!
- Try not to jam or play between takes or songs. CIS is a small studio and if we ask you to stop playing it is so we can do some work in the control room. Either tune up (there are tuners in each room) or sit patiently. Messing around too much just wastes everybody's time.
- You may have to change your normal amp settings to get a better sound on tape. Sometimes your stage settings don't work in the studio and we may have to experiment to get your sound back - even to the point of switching amps or going directly into the desk.
- If you screw up, don’t worry and above all don't panic, just point it out!! Most of the time, we can punch it in later. If one song isn't happening, forget that song and move on to another song, or we'll take a short break. Don't bother with "I'm sorry" or "I'll get it this time." You're just putting more pressure on yourself. Cock-ups happen. Just relax and try it again. Recording can be very stressful - don't make it any harder on yourself. If you feel yourself getting tense, take a break. A break after every couple of songs can help a lot. Be open to suggestions and changes. "Cock-ups" sometimes turn out great. Maybe you didn't hit the note you wanted, but the note you hit may be better!
- After the final session, everybody usually wants a rough mix. Go ahead and enjoy it that night and the next day, then forget about it! Get away from the music for a while, or you won't be able to hear clearly when you mix. Everybody should take a 2 or 3 day break (or longer) before the mixdown session to rest their ears. Listen (at moderate volume levels) to groups you like, and try to get a feel for their sound and their mixes.
- Before the mixdown/edit session, play the rough mix (with or without the band there) and make notes on every song/take. Is it similar in sound to groups you like? Try to pinpoint the differences. Need more bottom on the kick? Less reverb on the vocal? Vocals too loud or soft? More edge on the bass? Move the lead guitar more to the left or right? Before you start the mixdown, we'll go over your notes and try to get the sound you want.
- Talk with your mixing engineer about the sound your looking for. Bring some example CD's in if needed.
- When you're mixing down, you want a finished product that's as good as any pre-recorded material. Listen to the whole song, not just your part.
- Above all, have fun. Remember, at a session, everyones attitude comes across on the finished product.... relax and let the music do the talking.